Georges Braque / Couple d'oiseaux Présenté par Hedonism.gallery

Georges BRAQUE - Couple d'oiseaux

Présenté par Hedonism.gallery

  • Année
    1959
  • Technique
    Lithographie
  • Dimensions de l'image
    38,0 x 27,0 cm / 15.0 x 10.6 in
  • Dimensions du papier
    38,0 x 27,0 cm / 15.0 x 10.6 in
  • Prix
    Sur demande
  • Référence
    Sans référence
  • Visite(s)
    77
  • État
Georges BRAQUE - Couple d'oiseaux

after Georges Braque Lithograph "Couple d'oiseaux" (1959)

This stunning lithograph from 1959 is a must-have for any art lover. After Georges Braque's Couple d'oiseaux, this piece is sure to add a touch of style and sophistication to any home. The vibrant colors and intricate details make this a truly unique and eye-catching piece.

Hedonism Gallery is proud to offer this beautiful lithograph for sale. Our gallery is the perfect place to find stylish and attractive pieces of art. With a wide selection of artworks from renowned artists, you're sure to find something to suit your taste.

Date: 1959
Lithograph, unframed
Size: 15 х 11 in (38 x 27 cm)
Printer: Arte, Paris
Publisher: Maeght, Paris
Good condition
Provenance: from the estate of Leon and Jane Arkus. Leon was the Director of the Carnegie Museum of Art, Pittsburgh, from 1969 to 1980.

Tal-Coat's lithograph on the back side, as issued.

After prints were created under the auspices of artists’ publishers. Georges Braque worked with Parisian publisher Maeght to create graphics made “after” his watercolors and paintings. The printers whom he regularly worked with on his “original” graphics headed these projects. Like Chagall, Braque assisted the printers closely throughout the entire process; he chose each image and which technique to use, directed the lithographer or engraver, and corrected and approved the proofs. He authorized production of the work by hand-signing the edition. These “after” prints reproduced prominent, large color paintings from earlier in the artists’ careers–created before they had begun to utilize color printmaking techniques, and generally, from the mid-20th century on–and were championed by print publishers as a means of extending the artists’ commercial output.

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