Andy Warhol / Louis Brandeis (FS II.230) Présenté par Revolver Gallery

Andy WARHOL - Louis Brandeis (FS II.230)

Présenté par Revolver Gallery

  • Année
    1980
  • Technique
    Sérigraphie
  • Dimensions de l'image
    0,0 x 0,0 cm / 0.0 x 0.0 in
  • Dimensions du papier
    101,6 x 81,3 cm / 40.0 x 32.0 in
  • Tirage
    of 200
  • Prix
    Sur demande
  • Référence
    (FS II.230)
  • Visite(s)
    67
  • État
Andy WARHOL - Louis Brandeis (FS II.230)

Louis Brandeis 230 by Andy Warhol is a screenprint from the Ten Portraits of Jews of the Twentieth Century series, which he published in 1980. This artwork captures the essence of Louis Brandeis (1856–1941), an American lawyer who made history as the first Jewish member of the U.S. Supreme Court. Brandeis’s legal prowess and commitment to social justice earned him the moniker “the people’s attorney.”

Brandeis’s journey from his birthplace in Louisville, Kentucky, to the hallowed halls of Harvard University and eventually to the Supreme Court is a testament to his dedication and brilliance. His legal briefs, particularly those focusing on individual privacy rights and the fight against monopolies, have left an indelible mark on American jurisprudence. His advocacy against the unchecked power of large corporations and his insights into the challenges of mass consumerism in the 20th century remain relevant even today.

Warhol’s rendition of Brandeis showcases the justice in a burst of vivid colors, with geometric blocks of red, blue, pink, and yellow creating a dynamic backdrop. The portrait, while being a part of the Ten Portraits of Jews of the Twentieth Century series, stands out for its representation of a figure who was not just famous but also profoundly impactful.

The artwork is a testament to Warhol’s ability to capture the essence of his subjects. While he was known for his fascination with celebrities and pop culture, in this series, he delves deeper, portraying figures of historical and cultural significance. Brandeis, with his contributions to American law and his role in shaping the nation’s legal landscape, fits perfectly into this narrative.

In terms of technique, Warhol’s Louis Brandeis 230 is a masterclass in screen printing. The layering of colors, the hand-drawn lines, and the deliberate misalignment of certain elements showcase Warhol’s expertise and his ability to push the boundaries of the medium. The artwork, while being a part of the Ten Portraits of Jews of the Twentieth Century series, stands out on its own, making a statement about the subject and the artist’s interpretation of him. The vibrant colors and abstract geometric shapes invite viewers to delve deeper, to explore the layers of meaning, and to appreciate the genius of both Brandeis and Warhol.

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