Pablo Picasso / Au Cirque Présenté par Fairhead Fine Art

Pablo PICASSO - Au Cirque

Présenté par Fairhead Fine Art

  • Année
  • Technique
  • Dimensions de l'image
    22,0 x 14,0 cm / 8.7 x 5.5 in
  • Dimensions du papier
    0,0 x 0,0 cm / 0.0 x 0.0 in
  • Tirage
    Edition: There was an unsigned edition of 250 proofs on Van Gelder paper from which this comes, tog
  • Prix
    4 000 euros (€)
  • Référence
    Literature: Bloch 9
  • Visite(s)
  • État
Pablo PICASSO - Au Cirque

Pablo Picasso (1881 - 1973)

Title: Au Cirque (s.8969)
Medium: Original Etching, 1905/6 (Paris), Drypoint on copper, on Van Gelder paper Unsigned as this Suite was always)
Bloch 9
Published by: Ambroise Vollard
Printed by: Fort, Paris, , France
Size: 220 x 140 mms (Image size)
Edition: There was an unsigned edition of 250 proofs on Van Gelder paper from which this comes, together with a further edition of 27 or 29 on vieux japan paper
Note: This shows a circus scene of two Saltimbanques dancing on a horses back. The series of etchings, known as the Saltimbanques, consisted of a group of works all relating to the same theme. Picasso was a very young man when he completed these works but they are considered to be amongst the very best he ever made. The name of the series comes from the Italian words saltare, meaning "to leap," and banco, "bench," which refers to the stage on which the acrobats usually performed. Saltimbanques were the lowest order of acrobats; Picasso pictured them as vagabonds with simple props in an empty, desertlike landscape. He was familiar with earlier representations of clowns and harlequins from eighteenth-century art, which frequently included figures from the commedia dell'arte, a popular theatrical form featuring stock characters and their antics. These characters played significant roles in the paintings of such artists as Tiepolo, the Le Nain, and Watteau. Picasso was particularly drawn to the circus people, many of whom were his Spanish countrymen. Their agility and pursuit of the art of illusion delighted him, and their gypsy like lives touched the artist, who himself searched for new horizons. Picasso identified most closely with the clowns, those performers who masked their true selves with costumes and makeup. In fact, Picasso portrayed himself as the harlequin in a diamond-patterned costume in “The Family of Saltimbanques.”. The most famous and memorable of the series was, without doubt “Le repas frugal” which is counted amongst Picasso’s earliest print masterpieces.
Condition: Trimmed margins - otherwise in good condition
Public Collections: Musee Picasso, Barcelona - donated by Sabartes
Note: The copper plate for this item was in the collection of Ambroise Vollard.

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