Pablo Picasso / Clowne et acrobate (Clown and Acrobat) / One Plate, from Verve Nos 29-30, 1954 Présenté par Masterworks Fine Art

Pablo PICASSO - Clowne et acrobate (Clown and Acrobat) / One Plate, from Verve Nos 29-30, 1954

Présenté par Masterworks Fine Art

  • Année
    1954
  • Technique
    Lithographie
  • Dimensions de l'image
    32,0 x 24,0 cm / 12.6 x 9.4 in
  • Dimensions du papier
    37,0 x 28,1 cm / 14.6 x 11.1 in
  • Tirage
    75
  • Prix
    Sur demande
  • Référence
    Sans référence
  • Visite(s)
    4564
  • État
Pablo PICASSO - Clowne et acrobate (Clown and Acrobat) / One Plate, from Verve Nos 29-30, 1954

Picasso Clowne et acrobate (Clown and Acrobat) / One Plate, from Verve Nos 29-30, 1954 is a lithograph printed after a crayon drawing by Picasso for Verve magazine. Verve, or “The Review of Art and Literature “, was issued regularly in France between the years 1937 and 1960. The magazine was the creation of a Greek man known as Tériade. The purpose of the magazine was to present the most intimate look at artists’ interactions with the issues of their time.

The Fall 1954 issue of Verve was focused on Picasso. For this edition, Picasso created 180 original drawings for the magazine. The drawings were included in a double issue of Verve with a preface signed by Tériade. Of Picasso’s contributions to the magazine, Teriade wrote “last winter, from mid-December to the end of January 1954, Picasso was working indefatigably on this series of drawings, which rank among the finest, boldest, most poignantly human of all he has produced in the course of his long and brilliant career (Anthonioz, pg 255).” It is not hard to imagine this as a period of personal reflection for Picasso as his 10 year relationship with Francois Gilot had ended shortly before the publication of this issue. The drawings captured within the volume range from grotesque to simple. It is undeniable that each drawing is inextricably bound to Picasso’s personal life.

In this lithograph, a clown and a woman stand next to each other. The woman wears a blue hat and a striped leotard and a colorful necklace. The two characters stand apart, both facing the viewer. Their positioning creates a sense of despondency and rigidness despite their playful costumes. Picasso has always been fascinated with the duality of clowns and harlequins. For him, these actors embody both human comedy and tragedy. This seemingly simple work also contains wonderful subtle details. For instance, multi-colored lines outline the shapes of their bodies and clothing. Below their feet, thin lines cross to create the appearance of a tiled floor. This wonderful composition is a quintessential Picasso work.

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